Ridley Scott in “Memory: The Origins of Alien.”

Review: Memory: The Origins of Alien

In space, no one can hear you yawn.
Mark Hamill in “Child’s Play.”

Review: Child’s Play

“Child’s Play” rides the line between horror-comedy and outright comedy.
Mats Blomgren, Anna Åström and Isabelle Grill in “Midsommar.”

Review: Midsommar

"Midsommar" is a masterpiece of world-building and atmosphere.
Emmanuelle Devos in “Moka.”

Review: Moka

“Moka” is an eerie, poignant film that rejuvenates the revenge thriller by stripping it to its basics.
Evan Peters and Sophie Turner in “Dark Phoenix.”

Review: Dark Phoenix

"Dark Phoenix" is not a great movie, or even an ambitious movie, but it is an entertaining movie.
Jacir Eid Al-Hwietat and Hussein Salameh Al-Sweilhiyeen in “Theeb.”

Review: Theeb

“Theeb” proves that the elemental can be more powerful than the epic.
Taron Egerton in “Rocketman.”

Review: Rocketman

Like so many films before it, “Rocketman” takes the dazzling and uncomfortable complexities of the Genius Artist and chains them to a familiar framework.
Noam Chomsky in “Is the Man Who Is Tall Happy?”

Review: Is the Man Who is Tall Happy?

Chomsky identifies the quality of productive scientists as “a willingness to be puzzled by seemingly simple things.” Perhaps this is the secret to productive conversation as well.

Review: John Wick: Chapter 3 – Parabellum

Is expertly choreographed brutality enough to keep you happy for two hours, or will it merely get on your wick? One way or the other, this film holds the answer.

Review: Suleiman Mountain

“Suleiman Mountain” draws a sensitive but unromantic portrait of daily life along the remote byways of Kyrgyzstan.

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